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Wie het eerste deel van het boek bekijkt, zal merken dat Robert Devriendt zijn reeksen minischilderijen ziet als scènes van een groot verhaal, als verschillende hoofdstukken van een roman of film. De schilder schort in die reeksen het lineaire tijdsverloop op, zoomt in op geheimzinnige details (een supermooie auto, de "perfecte" blonde vrouw, een bos, een taxidermist, een bebloed T-shirt), alludeert op oude schilderijen, tv-beelden, reclamefoto's, films, populaire bladen ... Er zijn wellicht verbanden, maar welke? Er is een scenario, maar waarvan? Wat er zeker is: de zorgvuldige aandacht en de sensuele liefde voor het schilderen, het strelen van de huid van het doek, dat hunkert naar een creatieve waarnemer. In het tweede deel van het boek bewegen zestien Nederlandstalige dichters en prozaschrijvers zich spiegelend in het intieme spanningsveld tussen de beeldengroepen, ze construeren zélf een film.
Dutch literature --- Devriendt, Robert --- Devriendt, Robert, --- 759.949 --- Arts Painting Belgium --- Painting --- Painting. --- 1900-1999. --- Belgium. --- 75.07 --- Robert Devriendt °1955 in Brugge --- Schilderkunst ; schilders --- Belgium --- 21st century --- Catalogs
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75.07 --- Schilderkunst ; Lucian Freud ; gesprekken met --- Freud, Lucian 1922-2011 (°Berlijn, Duitsland) --- Schilderkunst ; portretten --- Kunstenaars en modellen --- Schilderkunst ; schilders --- Freud, Lucian --- Criticism and interpretation --- Painters --- Great Britain --- Biography --- 790 --- schilderkunst 20ste eeuw --- kunstenaars --- artistes
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"In 1941 the Swiss art critic Pierre Courthion interviewed Henri Matisse while the artist was in bed recovering from a serious operation. It was an extensive interview, seen at the time as a vital assessment of Matisse's career and set to be published by Albert Skira's then newly established Swiss press. After months of complicated discussions between Courthion and Matisse, and just weeks before the book was to come out - the artist even had approved the cover design - Matisse suddenly refused its publication. A typescript of the interview now resides in Courthion's papers at the Getty Research Institute. This rich conversation, conducted during the Nazi occupation of France, is published for the first time in this volume, where it appears both in English translation and in the original French version. Matisse unravels memories of his youth and his life as a bohemian student in Gustave Moreau's atelier. He recounts his experience with collectors, including Alfred Barnes. He discusses fame, writers, musicians, politicians, and, most fascinatingly, his travels."--Book jacket.
Avant-garde (Aesthetics) --- 75.07 --- Aesthetics --- Modernism (Art) --- History --- Schilderkunst ; schilders --- Matisse, Henri, --- Matiss, Anri, --- Matisse, --- מאטיס --- מאטיס, אנרי --- מאטיס, הנרי, --- Interviews ; gesprekken met kunstenaars ; H. Matisse ; 1941 --- Matisse, Henri 1869-1954 (°Le Cateau-Cambrésis, Frankrijk)
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Dillemans, Sam --- 75.07 --- 75.039 --- Schilderkunst ; 2006-2012 ; Sam Dillemans --- Figuratief Expressionisme --- Schilderkunst ; portretten ; van auteurs --- Schrijversportretten --- Dillemans, Sam °1965 (°Leuven, België) --- Belgische kunstenaars --- Schilderkunst ; België ; 21ste eeuw --- Schilderkunst ; schilders --- Schilderkunst ; 2000 - 2050 --- Exhibitions --- portretschilderkunst --- authors --- portraits --- Portrait painting [Belgian ] --- Figurative expressionism --- Belgium --- Dillemans, Sam °1965 (°Leuven, België) --- Schilderkunst ; België ; 21ste eeuw --- Dillemans, Sam.
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"Offers a comprehensive showcase of the celebrated Norwegian artist's pioneering and unique contributions to modern art, published on occasion of the 150th anniversary of his birth and the major exhibition Munch 150, being held in 2013 at the Munch-museet and Nasjonalgalleriet in Oslo, Norway"--Back cover.
Painting --- Munch, Edvard --- Artists --- 75.07 --- Schilderkunst ; schilders --- Munch, Edvard, --- Munch, E. --- Munk, Ėdvard, --- Munch, Edward, --- מונק, אדוארד --- מונק, אדווארד --- Munks, Edvards, --- Exhibitions --- 76.07 --- Schilderkunst ; 20ste eeuw ; E. Munch --- Expressionisme --- Symbolisme --- Kunst en spiritualiteit --- Munch, Edvard 1863-1944 (°Löten, Hedmark, Noorwegen) --- Persons --- Grafische kunst ; grafische kunstenaars A-Z --- Munch, Edvard.
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stilleven --- landschapsschilderkunst --- still lifes --- Morandi, Giorgio --- 75.07 --- Schilderkunst ; 20ste eeuw ; Giorgio Morandi --- Schilderkunst ; stillevens --- Morandi, Giorgio 1890-1964 (°Bologna, Italië) --- Tentoonstellingscatalogi ; Brussel ; Bozar ; Paleis voor Schone Kunsten --- kunst --- Morandi Giorgio --- twintigste eeuw --- schilderkunst --- grafiek --- etskunst --- tekenkunst --- Italië --- film --- kunst en film --- stillevens --- 76.071 MORANDI --- 741.071 MORANDI --- 75.071 MORANDI --- Schilderkunst ; schilders --- Exhibitions --- MAD-faculty 13 --- schilderkunst 19e-20e eeuw
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À l'instar d'autres peintres de sa génération, Walter Swennen (né en 1946 à Bruxelles, vit et travaille à Anvers) envisage et explore la peinture à travers de nouvelles perspectives, en y intégrant des principes issus d'autres disciplines. Après avoir été poète au milieu des années 1960, et comme par réaction à la « réduction » du visuel opérée par l'art conceptuel, il décide, au début des années 1980, d'explorer les possibilités poétiques de la peinture. Son œuvre ne se caractérise manifestement pas par le langage visuel spontané et héroïque propre à ses contemporains néo-expressionnistes. Rétrospectivement, il apparaît que Swennen se consacre au questionnement des problèmes spécifiques de la peinture avec une prédilection pour des formes d'intégration, de détournement ou de relativisation de la culture visuelle, qu'elle soit populaire ou non.
Swennen, Walter --- Arts --- Painting, Belgian --- Peinture belge --- Experimental methods --- Exhibitions --- Exhibitions. --- Méthodes expérimentales --- Expositions --- Swennen, Walter, --- Written works. --- 75.07 --- Schilderkunst ; 1980-2013 ; W. Swennen --- Swennen, Walter °1947 (°Brussel, België) --- Tentoonstellingscatalogi ; Brussel ; Wiels --- Belgische kunstenaars --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- schilderkunst --- beeldhouwkunst --- België --- Swennen Walter --- tekenkunst --- 7.071 SWENNEN --- 75.071 SWENNEN --- Schilderkunst ; schilders --- Méthodes expérimentales --- Peinture --- 20e siècle --- Painting [Belgian ]
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The art of Anders Zorn (1860-1920) reaches into diverse worlds with lavish depictions of Belle Epoque salons and elegant sitters, swirling ballrooms and country dances, bathers in sun-dappled waters, and more. This richly illustrated catalogue explores the life and work of a masterful painter who was born in a small Swedish village and rose to international acclaim. As a young art student Zorn developed a virtuosic command of watercolor, later expanding his repertoire to include oil painting and etching as well. His subject matter ranged widely from fashionable portraits of high society to realistic depictions of modern urban life, aspects of Swedish folk culture, and scenes drawn from his many travels. During his lifetime Zorn became one of the world's preeminent painters, though his name is not as well known today. Accompanying the first major retrospective of Zorn's oeuvre held in the United States in over a century, this volume introduces readers to his bravura brushwork, sensual iconography, and vibrant artistic personality. Featuring more than ninety watercolors, oil paintings, etchings, drawings, photographs, and sculptures, Anders Zorn: Swedens Master Painter reveals the artist's diverse themes, meticulous techniques, and peripatetic career, with works set in such locales as Madrid, Algiers, Constantinople, London, Paris, Venice, New York, Chicago, and his hometown of Mora, Sweden. Four authors present detailed portraits of Zorn's life and work, his career in the United States, his oeuve in the context of Nordic art, and his printmaking activity. Also featuring a comprehensive chronology and historical photographs, this catalogue reveals a painter tradition yet modern; cosmopolitan yet indelibly connected to his Swedish homeland.
Painting --- easel paintings [paintings by form] --- Zorn, Anders Leonard --- post-impressionisme --- modernisme --- Painting, Swedish --- 75.07 --- Swedish painting --- Schilderkunst ; schilders --- Zorn, Anders, --- Zorn, Anders Leonard, --- T︠S︡orn, Anders, --- Zuoen, Andesi Laiaonade, --- Exhibitions --- 73.07 --- Schilderkunst ; etsen ; 1880-1917 ; A. Zorn --- Beeldhouwkunst ; beeldhouwers A - Z --- post-impressionisme. --- modernisme. --- Zorn, Anders Leonard.
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